Michelle Pfeiffer Smolders With Al Pacino In ‘Frankie and Johnny’ | October 1991
PREMIERE | October 1991 SUNNY-SIDE UP Eight years after ‘Scarface,’ a more confident Michelle Pfeiffer and a happier Al Pacino reteam for director Garry Marshall’s diner romance,
FOR HER EYES ONLY MICHELLE A SPAY IN ‘THE RUSSIA HOUSE’ | January 1991
The Pfabulous Pfeiffer Girl She’s busy, she’s beautiful, she’s had two Oscar nominations… and she’s determined to take the next step. What will it take to
MICHELLE PFEIFFER THE ACCIDENTAL FEMINIST | December 1990
OUT OF THE PAST By Elizabeth Kaye | Photographed by Terry O'Neill Men want her. Women love her. Thoroughly modern Michelle Pfeiffer is the one contemporary screen
What Michelle Pfeiffer Needs…Is Absolutely Nothing | December 1990
MICHELLE PFEIFFER AS A WORK IN PROGRESS by Hal Hinson Between the first interview with Michelle Pfeiffer and the second, a message came from her via her
She sings! She dances! She acts! | February 1990
The Fabulous Pfeiffer Girl Michelle Pfeiffer has traded in life as a one-time check-out girl and beauty queen for a career as “a character actress disguised
Scene Stealer – Michelle Pfeiffer Takes Big Risks for the Right Roles | November 6, 1989
Fabulous Pfeiffer The versatile, risk-taking 'Baker Boys' beauty has become Hollywood's hottest new star. Will her winning streak continue with 'The Russia House'? NEWSWEEK: NOVEMBER 6, 1989 |
Beyond The Beautiful Face | September 1988
GOLDEN LADY With three films in the next twelve months—including ‘Married to the Mob’—Michelle Pfeiffer is more than the movies’ prettiest face | By James Kaplan
Blond Venus | August 1988
BLOND VENUS Is Michelle Pfeiffer Hollywood's next screen dream? by Peter Stone, photographs by Herb Ritts. BLOND, SULTRY, AND ETHEREAL, Michelle Pfeiffer has floated across the screen for